For "Die Neue Sammlung" at the Pinakothek der Moderne in Munich, Werner Aisslinger transforms the Paternoster Hall into a vibrant "House of Wonders." Werner Aisslinger's practice is based on the idea of ​​material transfer and the question of what life and work will look like in the future.

On the one hand, social changes are influencing people's housing needs; on the other, more and more new materials with great potential are coming onto the market, originating from the automotive industry, medicine, or life sciences. Werner Aisslinger responds to these challenges with his objects for the immediate living and working environment.